Formally trained. Never finished learning. 20+ years of creative work that started in the classroom and never stopped expanding beyond it.
I have an Associate's Degree in Design — and that gave me the foundation: design principles, layout, color theory, the vocabulary of visual communication. But a degree has never been a ceiling for me. It was a starting point.
I've spent my entire life studying and practicing design in every form I could find. Oil painting. 3D modeling. Typography. Motion graphics. Photography. Video. If there was an application, a tool, or a discipline that could make me better, I pursued it — not because I had to, but because I couldn't help myself.
"Color theory isn't just something I studied. It's something I've painted, printed, filmed, and posted for over two decades."
That obsession with craft is what turned a design education into a full creative toolkit. Today I'm running Meta ad campaigns, shooting product photography, editing video on a Blackmagic 6K, and designing print materials — sometimes all for the same client in the same week.
Being a single father is the hardest and most important thing I've ever done. Three daughters — and I showed up for every game, every recital, every hard conversation. It taught me how to manage chaos, how to prioritize, and how to find creative solutions with whatever you've got in front of you.
They're all in early adulthood now, finding their own paths — and watching that happen is something I can't really put into words. Everything I built was for them.
Those same skills follow me into every project I take on. You learn to work efficiently when people are counting on you. You learn to be resourceful when there's no backup plan.
I've been a musician my whole life — and I mean that broadly. I produce hip hop and EDM, play guitar across every genre, and perform in a band. From a beat built in a DAW to a guitar riff in a rehearsal room, music has always been how I stay creatively alive.
Music and design aren't as different as people think. Both are about timing, composition, contrast, and emotion. Both require you to listen — really listen — to what the work needs, not just what you want it to be.
Being a producer taught me to hear the whole picture, not just my part in it. That perspective follows me into every project I design.
Every good story has a loyal sidekick. Mine has four legs, a blue collar, and absolutely no respect for deadlines. Ash has been with me through late nights, long projects, and everything in between.
He's a reminder that the best things in life don't come with a brief. Sometimes you just need a dog who's happy to see you, no matter how the day went.
From national fitness conferences in Boston and San Diego to product shoots in Pittsburgh, the job has never been boring. I bring the same energy whether I'm setting up a photo studio or setting up a stage.
Every tool I use, I learned on a real project — which means I know not just how to use them, but when.
Based in Aliquippa, PA — willing to go wherever the work is.